Painting: " Wanderer Above the Sea and Fog,"  in the year 1818 By: Caspar David Friedrich, Germany

Painting: " Wanderer Above the Sea and Fog," in the year 1818 By: Caspar David Friedrich, Germany

Top 36 des trompes l’oeil à même le sol qui jouent avec les perspectives

Top 36 des trompes l’oeil à même le sol qui jouent avec les perspectives

Amazing Street Art of Edgar Mueller Pics) , Super Amazing Street Art of Edgar Mueller Pics)

BARON HAUSSMANN: Rebuilt Paris with wide tree-lined boulevards. Placed regulations on facades/heights of buildings.

BARON HAUSSMANN: Rebuilt Paris with wide tree-lined boulevards. Placed regulations on facades/heights of buildings.

6. Foreshortening is the concept of drawing an image in which looks shorter to the viewer then it actually is, as though the object has been compressed.  In this image, the artist has used foreshortening to make the length of the tennis player’s arm shorter than it actually is to express the motion the player is using when reaching to hit the ball

6. Foreshortening is the concept of drawing an image in which looks shorter to the viewer then it actually is, as though the object has been compressed. In this image, the artist has used foreshortening to make the length of the tennis player’s arm shorter than it actually is to express the motion the player is using when reaching to hit the ball

3. Compositie- Driehoekscompositie Belangrijkste delen vormen samen een driehoek die niet symmetrisch hoeven te zijn

3. Compositie- Driehoekscompositie Belangrijkste delen vormen samen een driehoek die niet symmetrisch hoeven te zijn

Centrale compositie. In deze afbeelding staat de roos in het midden, hij staat 'centraal' in deze afbeelding.

Centrale compositie. In deze afbeelding staat de roos in het midden, hij staat 'centraal' in deze afbeelding.

The Romantic works of Friedrich lend themselves to an interpretation of the landscape that can be divided into a value scale. In these two exercises Friedrich’s paintings were traced on traci…

The Romantic works of Friedrich lend themselves to an interpretation of the landscape that can be divided into a value scale. In these two exercises Friedrich’s paintings were traced on traci…

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