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Dans les dernières années de la République, on fait largement appel à la sculpture en relief pour commémorer les événements historiques; l'apogée du bas-relief historique commence avec le règne d'Auguste et se poursuit pendant deux siècles. Cette forme d'art, nouvelle et typiquement romaine, sera un véhicule efficace de la propagande impériale.

Dans les dernières années de la République, on fait largement appel à la sculpture en relief pour commémorer les événements historiques; l'apogée du bas-relief historique commence avec le règne d'Auguste et se poursuit pendant deux siècles. Cette forme d'art, nouvelle et typiquement romaine, sera un véhicule efficace de la propagande impériale.

Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Roman art bas reliefs. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.

Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Roman art bas reliefs. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.

A panoramic view of the scene decorating the celebrated Portland Vase. The exact significance of the scenes are not known but many scholars believe the vase to show scenes from the wedding of Peleus and Thetis from Greek mythology. 1st century BCE to 1st century CE. (British Museum, London)

A panoramic view of the scene decorating the celebrated Portland Vase. The exact significance of the scenes are not known but many scholars believe the vase to show scenes from the wedding of Peleus and Thetis from Greek mythology. 1st century BCE to 1st century CE. (British Museum, London)

The ivory relief shows Achilles in his tent sulking, and refusing to fight the Trojans until the injustice done to him by Agamemnon is rectified ("Iliad" I). Achilles is on a couch or chair holding drapery up over his head. The leg of the furniture is in the form of a lion's foot. His sheathed sword hangs from his left hand, his helmet and cuirass are on the ground beside him, and his shield leans against a column. Walters Art Museum

The ivory relief shows Achilles in his tent sulking, and refusing to fight the Trojans until the injustice done to him by Agamemnon is rectified ("Iliad" I). Achilles is on a couch or chair holding drapery up over his head. The leg of the furniture is in the form of a lion's foot. His sheathed sword hangs from his left hand, his helmet and cuirass are on the ground beside him, and his shield leans against a column. Walters Art Museum

Emperor Marcus Aurelius

Emperor Marcus Aurelius

Emperor Titus, Roman statue (marble), 1st century AD, (Museo Archeologico Nazionale, Naples).

Emperor Titus, Roman statue (marble), 1st century AD, (Museo Archeologico Nazionale, Naples).

Les Arts Décoratifs - Site officiel - Ombres et lumières - Dessus-de-porte Les Saisons- imitation bas relief- huile dur toile. France, vers 1745

Les Arts Décoratifs - Site officiel - Ombres et lumières - Dessus-de-porte Les Saisons- imitation bas relief- huile dur toile. France, vers 1745

The Emperor Trajan

The Emperor Trajan

Bronze statuette of a huntsman, probably representing Alexander the Great, Hellenistic, 250 BC-100 BC The British Museum

Bronze statuette of a huntsman, probably representing Alexander the Great, Hellenistic, 250 BC-100 BC The British Museum

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