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FRANCE | Auguste Renoir (French, 1841–1919). By the Seashore, 1883. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.125) #WorldCup

FRANCE | Auguste Renoir (French, 1841–1919). By the Seashore, 1883. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.125) #WorldCup

William Merritt Chase (American, 1849–1916). For the Little One, ca. 1896. The Metropolitan Museum of Art, New York. Amelia B. Lazarus Fund, by exchange, 1917 (13.90)

William Merritt Chase (American, 1849–1916). For the Little One, ca. 1896. The Metropolitan Museum of Art, New York. Amelia B. Lazarus Fund, by exchange, 1917 (13.90)

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".

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