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Ca. August 1968, Fillmore West, San Francisco, with Dallas-Arbiter Fuzz Face. Amps are with three customized Sound City L100 amplifiers. Guitar is 1968 Gibson SG Special.

Ca. August 1968, Fillmore West, San Francisco, with Dallas-Arbiter Fuzz Face. Amps are with three customized Sound City L100 amplifiers. Guitar is 1968 Gibson SG Special.

Pete Townshend,The Who,Peter

Pete Townshend Ca. August 1968, Fillmore West, San Francisco, with three customized Sound City L100 amplifiers, two with round knobs, and the top unit with Hiwatt-style chicken-head knobs. Bottom amp is backup. Guitar is 1968 Gibson SG Special. Effect pedal is Dallas-Arbiter Fuzz Face.

Pete Townshend Ca. August 1968, Fillmore West, San Francisco, with three customized Sound City L100 amplifiers, two with round knobs, and the top unit with Hiwatt-style chicken-head knobs. Bottom amp is backup. Guitar is 1968 Gibson SG Special. Effect pedal is Dallas-Arbiter Fuzz Face.

Pedal effects used by David Gilmour for The Wall recordings: Pete Cornish pedal board and dditional effects recording sessions  Pedal board effects listed as in chain. Dallas Arbiter Fuzz Face (BC109, modified with a tone circuit) Electro Harmonix Big Muff (“Ram’s Head”) Electro Harmonix Electric Mistress MXR Dynacomp MXR Phase 90 Pete Cornish (ST-2) Treble and Bass Booster Pete Cornish custom vibrato pedal Pete Cornish custom volume pedal

Pedal effects used by David Gilmour for The Wall recordings: Pete Cornish pedal board and dditional effects recording sessions Pedal board effects listed as in chain. Dallas Arbiter Fuzz Face (BC109, modified with a tone circuit) Electro Harmonix Big Muff (“Ram’s Head”) Electro Harmonix Electric Mistress MXR Dynacomp MXR Phase 90 Pete Cornish (ST-2) Treble and Bass Booster Pete Cornish custom vibrato pedal Pete Cornish custom volume pedal

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