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His choice of materials - much like the artist himself - never ceased to shock...  Ohne Titel (Untitled), 1983; fat, beeswax, sealed preserving jar containing pork dripping, thermometer; Fettecke (Fat Corner), 1963: pork drippings; Tiefstand (Low Point): zinc box, tallow from mutton; Tate

His choice of materials - much like the artist himself - never ceased to shock... Ohne Titel (Untitled), 1983; fat, beeswax, sealed preserving jar containing pork dripping, thermometer; Fettecke (Fat Corner), 1963: pork drippings; Tiefstand (Low Point): zinc box, tallow from mutton; Tate

Joseph Beuys - Vitrine, 1983. Juxtaposition and resonant form/materiality.

Joseph Beuys - Vitrine, 1983. Juxtaposition and resonant form/materiality.

Joseph Beuys: Actions, Vitrines, Environments: Room 9  | Tate

Joseph Beuys: Actions, Vitrines, Environments: Room 9 | Tate

Collection Online | Joseph Beuys. Untitled. 1984 - Guggenheim Museum

Collection Online | Joseph Beuys. Untitled. 1984 - Guggenheim Museum

Scala Napoletana by joseph beuys - 1985

Scala Napoletana by joseph beuys - 1985

Joseph Beuys, “Gefängnis (Kabir + Daktyl) (Prison [Cabir + Dactyl]) (1983). Steel tubing, sheet metal, Plexiglas, two carbide lamps, lacquer...

Joseph Beuys, “Gefängnis (Kabir + Daktyl) (Prison [Cabir + Dactyl]) (1983). Steel tubing, sheet metal, Plexiglas, two carbide lamps, lacquer...

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