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Omaggio a Franco Evangelisti

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Xenaquis
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As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies.

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Andrzej Dobrowolski, Muzyka na Taśmę Magnetofonową nr 1 (Music for Magnetic Tape No.1), 1963. Published 1964.
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As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies. Aside from the fact that these are often beautiful artifacts, I…

More of Leon Schidlowsky: [image] [image] [image]

Let us look into the written records of their sacred knowledge: the music scores.

Alchemist Cabinet of the Polish Radio Experimental Studio: Music Scores of and for Experiments

Andrzej Dobrowolski, Muzyka na Taśmę Magnetofonową nr 1 (Music for Magnetic Tape No.1), 1963. Published 1964.

Andrzej Dobrowolski, Muzyka na Taśmę Magnetofonową nr 1 (Music for Magnetic Tape No.1), 1963. Published 1964.
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Gyorgy Ligeti || Artikulation | mavideoz blog
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Gyorgy Ligeti || Artikulation | mavideoz blog

Gyorgy Ligeti || Artikulation | mavideoz blog
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Experimental music notation resources - Helmut Lachenmann
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More of Leon Schidlowsky: [image] [image] [image]

Experimental music notation resources - Helmut Lachenmann

Experimental music notation resources - Helmut Lachenmann
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rifles: “ Edgard Varèse, Score for Poème électronique ”
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As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies.

rifles: “ Edgard Varèse, Score for Poème électronique ”

rifles: “ Edgard Varèse, Score for Poème électronique ”
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“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers | Lock | Critical Studies in Improvisation / Études critiques en improvisation
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List of sound classifications in composition notes by Anthony Braxton

“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers | Lock | Critical Studies in Improvisation / Études critiques en improvisation

“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers | Lock | Critical Studies in Improvisation / Études critiques en improvisation

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Vadim Karassikov – In the Flame of the Dream, for cello solo, graphic scoreA graphic score by Russian composer   Vadim Karassikov (b.1972),   In the Flame of the Dream consists of a collection of pieces for solo instrument which can be performed in combination with each other, and was premiered by Klangforum Wien ensemble in Vienna in 2008 [+info]

Vadim Karassikov – In the Flame of the Dream, for cello solo, graphic score A graphic score by Russian composer Vadim Karassikov In the Flame of the Dream consists of a collection of pieces for solo instrument which can be performed in.

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The 'Experimental Notation' thread has got me wondering. Those of you that make music using a modular synth, how do you write your music down? Just patch notes and general instructions or have you come up with a system t…

A page of musical manuscript by the mystical twelve-tone composer Josef Matthias Hauer, who also planned his compositions using a unique eight-line staff notation. [Source]

A page of musical manuscript by the mystical twelve-tone composer Josef Matthias Hauer, who also planned his compositions using a unique eight-line staff notation.

José Soto Vázquez y Ramón Pérez Parejo: La recreación pictórico-acústica de George Crumb de la “Casida de las palomas oscuras” y la “Casida del herido por el agua” de Federico García Lorca- nº 46 Espéculo (UCM)

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Continuing from Cornelius Cardew "Treatise". Pages 35, 37, 47, 49, 66:   [image]  [image] [image] [image] [image]

As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies.

Experimental music notation resources - Review - lines

As somebody with one foot in the visual art world and the other in sound world, I have always been interested in the experimental music notation strategies. Aside from the fact that these are often beautiful artifacts, I…

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Lines of thought on the way home A landscape could be thought of like a long score, a sequence of paralell experieces with abrupt and unex.

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