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Matthew Dear Beams Complete by Michael Cina, via Behance

Saturday vinyl hunt: Matthew Dear - Fighting is Futile (Seth Troxler Remix)

Matthew Dear- Fighting is Futile

Fighting is Futile

Stream Matthew Dear - Fighting is Futile (Seth Troxler Remix) by ghostly from desktop or your mobile device

Check out this @Behance project: “Sorting Week” https://www.behance.net/gallery/32312437/Sorting-Week

Check out this @Behance project: “Sorting Week” https://www.behance.net/gallery/32312437/Sorting-Week

I like the color combination of this design especially with the use of white text. The whole design is something that would draw my attention not only from the more feminine colors but the print as well as the font choice. It is a very cohesive design while still maintaining contrast. http://bpando.org/2013/11/07/logo-yay-festival/

New Logo and Brand Identity for Yay Festival by Snask - BP&O

Yay Festival 2012 identity and branding was created by SNASK; a brand, design and film agency situated in Stockholm. “YAY is a festival about inspiration. We give you talks by great minds and music by.

Facebook Redesign Concept สุดยอด ออกแบบเฟซบุ๊กรื้อใหม่หมดทุกหน้า ดูดีเวอร์มากๆ กดดูๆๆ

Amazing Facebook Redesign

Fred Nerby a designer took matters into his own hands with this gorgeous new look and concept redesign of the site that he posted to Behance.

Se dette @Behance-projekt: \u201cpnfo sort-ng\u201d https://www.behance.net/gallery/45460983/pnfo-sort-ng

Se dette @Behance-projekt: \u201cpnfo sort-ng\u201d https://www.behance.net/gallery/45460983/pnfo-sort-ng

JTC - On Time - Michael Cina

Ghostly International commissioned Michael Cina to work on an album cover for them in As time passed, we developed a great working relationship.

Great use of negative space. Designer: Grigoris Giannoulopoulos #layout #printdesign

I like the layout of this one. The lines and shapes create movement across the pages. The color is limited to mostly pink, blue, and green. There is great use of negative space.

Minimal brand identity and cover illustrations by Anna Kövecses for Øyenvitne, a literature publisher focused on crime novels.