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Jenny Saville. Another type of technique I could use for my growth piece. On one portrait I could use this material to show the growth in materials over the years and technique.

Jenny Saville. Another type of technique I could use for my growth piece. On one portrait I could use this material to show the growth in materials over the years and technique.

Google Image Result for http://www.martinspeed.com/images/artist_jenny_saville_study_for_intertwine_zoom.jpg  Jenny Saville

Google Image Result for http://www.martinspeed.com/images/artist_jenny_saville_study_for_intertwine_zoom.jpg Jenny Saville

Google Image Result for http://www.martinspeed.com/images/artist_jenny_saville_study_for_intertwine_zoom.jpg  Jenny Saville

Google Image Result for http://www.martinspeed.com/images/artist_jenny_saville_study_for_intertwine_zoom.jpg Jenny Saville

Jenny Saville: 'I want to be a painter of modern life, and modern bodies'    Jenny Saville's

Jenny Saville's work - in pictures

Jenny Saville: 'I want to be a painter of modern life, and modern bodies' Jenny Saville's

Jenny Saville - extract from Sanctuary (Britain’s Artists and their Studios)

Jenny Saville - extract from Sanctuary (Britain’s Artists and their Studios)

Jenny Saville I prefer these pieces of her work because they are very sketchy and unusual, I like that there isn't any colours because then you aren't focusing on the colours your focusing on the drawing

Jenny Saville I prefer these pieces of her work because they are very sketchy and unusual, I like that there isn't any colours because then you aren't focusing on the colours your focusing on the drawing

Jenny Saville RA in her Oxford studio, working on a large drawing for her show at Modern Art Oxford.

Jenny Saville RA in her Oxford studio, working on a large drawing for her show at Modern Art Oxford.

Jenny Saville, OXYRHYNCHUS - Intertwine, 2011-2014 Gagosian Britannia St.

Jenny Saville: OXYRHYNCHUS