texture techniques by John Lovett, using a combination of watercolor, ink, pastel and gouache to build up convincing, visual texture in a watercolor painting.
Ian Murphy Ornate Architecture, Fine Line Pen and water
John Ruskin, "Pierres de Venise". Coté sud de l'église Saint Marc. 1851
John Lovett, watercolor
collage and mono print the different texture and colour background
Valery Koshlyakov - High-rise on Raushskaya Embankment (2006) - Tempera on Cardboard
Valery Koshlyakov, Temple of Nika
I love Piper's work, referencing him in my current art work on facades.
10 (424x700, 442Kb) Tibor Nagy
Svitavy Library Lantern in Czech Republic